By Kennedy Blair Miller Ways of Watching is an album of graphic scores composed by postgraduate students of the Royal Academy of Music, and will be released on October House Records on the 27th of October. The album showcases performers from the prestigious Riot Ensemble and other performers from the Royal Academy of Music. The…
Read Moreby Kennedy Blair Miller Photo credits: Ben Reason I’ve always felt an affinity with Ally. We’re both from Southern USA (Ally’s from Nashville, Tennessee, just one state over from my home state of North Carolina); we both studied music at the University of North Carolina at Chapel Hill; and now, we’re both graduate singers at…
Read Moreby Jonty Watt One of the more exciting projects to come out of RAM recently was Mia Serracino-Inglott’s performance of her own composition at the Southbank Centre, titled Five Period Songs. Mia is a mezzo-soprano who regularly performs and creates new music, and who is challenging conventions of what it means to be a classical…
Read MoreBy Declan Hickey There is no greater reservoir of satisfaction than the BBC Radio 4 archive, suffering only from its incompleteness. Fortunately, the channel’s enduring contribution to mankind, Desert Island Discs, is among its better-preserved programmes. Better still, the golden age of 1988–2006 survives fully intact, no record or luxury spared. Devoted listeners will know…
Read MoreBy Toby Anderson 2022 was the year I started seriously thinking about house music. At the centre of that was the fabulous, ethereal, mesmerising DJ Honey Dijon. As a black trans woman, Dijon places the queer utopianism that gave birth to house music at the centre of her craft, weaving stories of queer empowerment and…
Read MoreBy Kennedy Blair Miller Artwork by Jess Bull Anderson The doors to the Opéra-Comique theatre opened to a bustling crowd of eager Parisians on 3 March 1875. Well-dressed socialites, composers, and artists presented their tickets to the ushers with an air of superiority. They had been invited to the premiere of a new opera, Carmen,…
Read MoreBy Kennedy Blair Miller Josie and I step out of a pub on Marylebone High Street and let out a unified sigh at the pelter of rain and the sharp touch of wind. “Did you know it’s already like 70 degrees back home?” I ask Josie, relieved to be talking to a friend who understands…
Read MoreBy Ellen Wilkinson Will’s desire to compose started early on, as he recalls strumming chords and writing basic songs on the guitar at age four. His affinity with vocal music also emerged young, and after singing in the internationally renowned Trinity Boys Choir he had a range of professional opportunities, including performing the role of…
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live performance, two-headed monsters, and our complicated relationship with the self By Jonty Watt There is a moment in American composer Kate Soper’s philosophy-opera IPSA DIXIT (2016) when Soper, in her role as prima donna, walks over to violinist Josh Modney and begins a strange assault on his violin. Specifically, she fingers notes on the…
Read MoreBy Ruby Howells As we surely are all aware, 2022 has seen the Academy celebrating its bicentenary. Over the course of 200 years, the Academy has helped music grow and develop, itself producing some of the most significant figures in the creative arts. To celebrate this, I want to create a ‘bicentennial playlist’ which spans…
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